|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
|
p-ISSN: 1857-4149 |
|
e-ISSN: 2953-6812 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||
|
|
|
Speech and Context |
|
|
|
||||||||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
International Journal of Linguistics, Semiotics and Literary Science |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
Publication Policies and Procedures |
|
Archive |
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
ISSUE 1 (I) 2009 |
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
Material author: |
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
Material title: |
DIE DEFINIERUNG DER IDENTITAT DES “BLAUEN ENGELS” |
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
Material language of publication: |
German |
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
Material title in English: |
”Blauen Engels” Identity Definition |
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
Material abstract: |
The work analyses Heinrich Mann’s novel “The Blue Angel” and its main character, Rosa Fröhlich, whose identity is to be discovered. The construction of this woman’s identity begins by establishing her position in the society, providing essential cultural and social data. First, the character’s name is analysed, a name which carries some symbolic meaning and is influenced by the social conventions of the period under consideration, where her image is closely linked with the night bar where she works. The characterization of the main protagonist in this factitious world continues with the description of interpersonal relationships, where the author insists on the subject-object relationship and the roles and functions of a woman in a highly commercialized society. The setting of the novel emphasizes the characters’ lack of power; the female character seems to be frustrated by the new social requirements, making her feel a men’s prisoner and a prisoner of her own social position. |
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
Material keywords: |
identity, meaning, social conventions, image, relationship, role, fonction |
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
Material pages: |
155-162 |
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
Material full text |
in PDF |
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Material type: |
Research paper |
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Material field: |
Literary Science |
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Material topic: |
(Literary) Language and Social Conditioning |
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Material UDC: |
821.112.2-31.09"18/19"(092) |
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Material DOI: |
https://doi.org/10.62413/lc.2009(1).17
|
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Material references: |
Andre, J. (2003). Psihanaliza si sexualitatea feminina. (R. Pop, V. Sandor, Trad.). Editura Trei. Bock, G. (2002). Femeia in istoria Europei. Din Evul Mediu pina in zilele noastre. Editura Polirom. Ebersbach, V. (1978). Heinrich Mann. Philipp Reclam jun. Gilbert, S. M., Gubar, S. (2000). Towards a Feminist Poetics. In The Madwoman in the Attic. The Woman Writer and the Nineteenth-Century Literary Imagination. Yale University Press. Hegel, W. F. (1995). Fenomenologia spiritului. (Virgil Bogdan, Trad.). Editura IRI. Mann, H. (1987). Die Gottinnen. Die drei Romane der Herzogin von Assy (Diana, Minerva, Venus). Fischer Taschenbuch Verlag. Mitscherlich, M. (1990). Uber die Muhsal der Emanzipation. Fischer Verlag. Sebeok, A. Th. (2002). Semnele: O introducere in semiotica. (S. Marculescu, Trad.). Editura Humanitas. Showalter, E. (1990). Sexual Anarchy. Gender and Culture at the Fin de Siecle. Viking Penguin. |
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
See on Zenodo how to cite this material according various styles. |
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
Material citations in other publications |
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
|
© Alecu Russo State University of Balti, 38 Pushkin Street, 3100, Balti, Republic of Moldova. Webmaster: acosciug@yahoo.com |
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|